Discover the work of Epsylon Point, street artist and pioneer of urban art in France.

Street artist protesting and protesting

In its origins, street art was a means of artistic expression to convey censored political messages in traditional media. This purely protest function subsequently evolved and more and more, urban artistic creations serve as a support for campaigns to promote cultural products. Focus on the most influential protesting and protesting street artists.

Street art and its relationship with society

For many urban artists, street art is a mode of artistic expression allowing them to formulate their convictions, a way to convey strong and concise messages as close as possible to the public, as the saying goes "a picture is worth a thousand words. ". Street art is a forum accessible to any individual wishing to challenge public opinion on social issues, the climate emergency, immigration and many other societal issues.

In addition to this, you need to know more about it.

In France, street art blossomed from 1963, carried by pioneering artists like Gérard Zlotykamien and a few years by Ernest Pignon-Ernest. This period coincides with the emergence of a disruptive cultural revolution in the post-war years. The thirst for a more egalitarian society provides disillusioned youth with the ideal breeding ground for emancipating themselves and formulating their demands . From there, street art has become a particularly effective tool to convey messages on the walls of our ordinary streets, building facades and everything that public space can offer.

In addition to this, you need to know more about it.

Epsylon Point, one of the pioneers of street art in France and the pioneer of color stencil, epitomized the image of the artist rebellious , nonconformist and anti-system. For him, "writing on the walls is a claiming act ", artistic and not subversive in the service of a cause. This assertion rules out acts of vandalism of urban art, which harm others and have no artistic value.

A unique journey

Like many street artists of his time, Epsylon Point mixed with spray-paint and color stencils from 1983 onwards. His first color works brought a new take on street art and the artist began to forge himself. a reputation in the art world.

In addition to this, you need to know more about it.

Epsylon Point develops its technique for the color stencil alongside its friend La Signe and invests the Balard district in the 15th arrondissement of Paris. In 1985, he took part in the first gathering of the graffiti and urban art movement organized by the VLP in Seine-Saint-Denis in the city of Bondy alongside other influential figures such as Blek le rat, Jef Aérosol, Speedy Graphito, Miss Tic, SP38.

In addition to this, you need to know more about it.

Towards the end of the 1990s, Epsylon Point set up its workshop in Hauts-de-Seine and produced stencils addressing different themes: from the human condition to world conflicts, including eroticism. In the 8th arrondissement of Paris, the CHOOSE Galerie becomes its official gallery, exhibiting all of the artist's periods.